Salish Sea

Miles From Nowhere

After 58 years of memories, many of them crowded out of awareness by the sheer volume, the jostling mass, there are several that always remain salient. They are like familiar faces at the front of the crowd. One of those is of the coast north of San Francisco. It was 1969. I was 19. The Coast Highway was a two lane road threading the edge of the continent between cliffs falling away to the wide Pacific and old hills rounded by time and shaded by live oak. I was hitching on an empty road in the company of a few sheep. The scattered clouds looked like fleece. I had new camping gear and a sleeping bag I’d bought in Haight Ashbury. I threw my rucksack over a rusted barbed wire fence and climbed to the crown of a hill and laid down in the summer grass that waved in the sea wind. The sky was pale blue, as fragile as egg shell. The skirling cry of a hawk carried down the wind. I was utterly alone, free of the past, unburdened by the future, without expectations or demands. I was perfectly, completely in that moment, of that moment, and nowhere else. But the moment was unsustainable.

I slept there that night without a fire or tent, laying in the grass, at the bottom of a sea of stars. They seemed a vast adventure.

I felt like a taut string vibrating with the tension between solitude and the need for community. Those are conflicting demands I’ve never resolved. Perhaps the function of life isn’t resolution but living within the tension like a water ouzel swimming in a mountain torrent.

The sound track of that moment is always Cat Steven’s song Miles From Nowhere.

Posted via email from Charles Thrasher's Lifestream

A Small Dog’s Death

Yesterday Moppet died. Linda cried all day and fell asleep crying. So much grief, such a small dog. Today the page is blurred by my tears. I’m slower to respond than Linda; perhaps only one of us can be crazy at a time.

Moppet could no longer stand upright when we took her to the vet the last time, wrapped in a blanket that will forever belong to her. Linda washed her beforehand. She lay in the tub without lifting her head. She was hardly more than bones and beautiful hair. She never weighed more than four pounds when most substantial. She was little more than a whispered breath at the end.

After so many years life becomes welded to life, even the life of disparate species. Sixteen years is a lifetime for a dog and no small part of a human lifetime. The shared times and places form a web of connections that are sundered by death like a storm wind scattering the strands of a spider’s web.

She was a stubborn little dog who consistently failed to recognize her proper size, intimidating much larger dogs that could have ended any debate with a single bite. Four pounds isn’t much weight to throw into a dog fight. It was as if she cast a virtual presence, a shadow much larger than herself. She was most like a Bouncing Betty, a disagreeable little anti-personnel mine made popular during the Vietnam War. Step on one and they would leap from ground level to detonate in your face.

For a lap dog she was surprisingly disdainful of laps nor did she care to be coddled. Perhaps she was true to her genetic coding. Dogs bred to follow rats down their holes shouldn’t be humiliated by cloying familiarity. It takes more bravado than brains to beard a rat in its own den.

She died with her eyes open but unseeing. She seemed incredibly small on the vet’s examination table, diminished by death, her consciousness collapsing into itself like a dark star.

Sixteen years is a long time for a small dog. Near the end she was crippled, blind, deaf, incontinent…and unrepentant. That seems to me a worthy ambition, to be whatever you are without excuse, without apology, and without repentance.

Sound of Silence

I was 19 years old when the city fell silent. I had lived my entire life amid the sound of traffic—tires whining on dry pavement, engines accelerating from a dead start, brake pads grinding metal on metal, trucks rattling over potholes and expansion joints, and rarely someone pushed beyond endurance to use their horn. In LA in the ‘60s, flipping off the guy in the next car was less aggressive than using your horn.

The freeway interchange that collapsed in the San Fernando Earthquake. Photo attribute: MyDifferentDrum on flickr.

LA might have been called the city of angels. In reality it was the city of engines. Their sound insinuated my dreams. The ground trembled slightly beneath their weight. The sky thickened with their exhaust. I had grown up living in the continuous presence of automobiles, every hour, every day. It was a presence as familiar as my heartbeat, and equally ignored, until it stopped.

It was 1971…muscle cars thundered down Van Nuys Boulevard and Bob’s Big Boy was fined for making hamburgers from horse meat.

I didn’t live in LA proper but the Valley, the San Fernando Valley, where adolescent girls spoke an English dialect called Val Speak. Every sentence began with “OhMyGod!,” three words hurried into a single breathless rush. The greatest good was called “tubular” after the shape of a wave hollowed by an offshore breeze. Frank Zappa made fun of us. He could afford to. He came from Lancaster, a fly blown town on the edge of the desert where the wind herded tumble weeds down the main street. I came from Van Nuys where we didn’t lock our front doors at night and no one spoke Spanish. We were living in a surreal dream of unremittingly white security. Later I realized that the dream ended precisely at 6:00 am on February 9.

Armageddon & LA

It was 1971, the era when gas was still $0.21 a gallon, muscle cars thundered down Van Nuys Boulevard, and Bob’s Big Boy was fined for making hamburgers from horse meat. At 6:00 am I was still in bed, a college boy living at home, when the earth moved. More than moved, it began lurching like a drunken sailor. The house creaked and groaned and popped arthritically. The light fixture suspended above my bed, a glass globe hung several feet from the wall, began to swing, gathering momentum. There was a basso profundo rumble from somewhere far away like the earth clearing its throat of phlegm. I was tossed side to side in my bed. It seemed like the bed accelerated rapidly in one direction but only a few inches before it stopped abruptly and began accelerating in the opposite direction. I felt like a rope toy in the jaws of a big dog. I spread my arms to keep from being thrown to the floor. The glass globe was describing wide circles above my bed. Inside the house I could hear crockery falling. I thought of getting out of bed and leaping through the window but I was utterly naked. Finding something in my closet to wear while the earth was doing a demented hornpipe seemed too challenging. A conversation with the neighbors start naked was even less attractive. The glass globe was thrown violently against the wall and shattered, showering my bed with shards of glass.

The earthquake lasted only 60 seconds. Afterwards 65 people were dead, $505 million dollars of property was damaged, and glass littered my bedroom floor. But it wasn’t the earthquake itself that was most remarkable.

The earthquake not only collapsed hospitals and bridges, it weakened an earthen dam that withheld 10,000 acre feet of water poised like the apocalypse above the San Fernando Valley. If the Van Norman Dam failed that water would seek the lowest point—the Sepulveda Catch Basin. We lived directly in front of the Catch Basin.

My choice was mandatory attendance at the Burbank Foursquare Church where they spoke in tongues or a horrible death in a Biblical flood.

Predictably, they evacuated the Valley: 80,000 people along a six-mile swath of potential destruction. My family left to stay with my paternal grandparents in Burbank. Given the choice of mandatory attendance at the Burbank Foursquare Church where they spoke in tongues and threatened to roll in the aisles or dying horribly and alone in a Biblical flood, I chose to continue classes, sneak past the police roadblocks, and return home each night.

We lived within sight—and sound—of the San Diego Freeway. It wasn’t the most desirable location but my parents had bought commercial real estate, a set of four single family, low income rentals, and lived in one while managing the rest. Real estate was their means of financing an interest in boats they couldn’t otherwise afford. I grew up remodeling houses and living near the freeway.

When the authorities evacuated the flood plain they also closed the San Diego Freeway. Police cordoned the area with roadblocks. The city was dark, without electricity. Police cars on patrol continually broadcast a warning that looters would be shot on site. It was the only sound in a city of empty streets.

An Architecture of Sound

Before then I hadn’t realized how a city is an architecture of sound as much as concrete, bricks and mortar. Sound creates a topography that can be felt if not seen. During the bustle of daylight it burgeons, growing large and complex like some gothic architecture of crooked alleys and spiked towers. At night it contracts into subtlety and murmurs and isolated alarms. But it’s never silent. Even in the dead hours of the night there is a background of sound like an archetypal cat purring. It colors and shapes the cityscape.

In the silence that descended after the earthquake the city collapsed. The horizon contracted. Sound drained away like water seeping into the dry soil, utterly absorbed. Only a dry husk remained.

I’ve experienced one other similar profound silence, in the days after September 11, 2001 when the sky was empty and no plane flew overhead, none except military aircraft looking for an enemy.

Had the Van Norman damn failed, I later learned that a wall of water 10 feet tall would have swept across the valley floor studded with the shattered remnants of innumerable frame houses and the broken bodies of people too foolish to evacuate.

Technorati Tags: San Fernando Earthquake,1971,Van Norman Damn,Van Nuys,Sepulveda Catch Basin,San Diego Freeway,Van Nuys Boulevard,Bob's Big Boy,Frank Zappa,val speak,Charles Thrasher

Floating Houses

Living in a houseboat is like inhabiting a shell, like a nautilus moving through chambered rooms worn smooth by use and bathed by water music. An empty houseboat, like an empty shell, inspires daydreams of refuge.

Snow on Lake Washington houseboats. Photo attribution: Cap’n Surly on flickr

There is something about water that compels us to dream. I’ve dreamed of a house where the kitchen floor remains partially unplanked and a stream flows through it. On crisp mornings fog would rise from the water and condense on the window glass; frogs would croak; the kitchen would be full of water music. I’ve seen a house on Bainbridge Island made from a covered bridge that spanned a creek. Transparent panels were set in the floor. It must have been like walking on water. And at Point No Point on the Kitsap Peninsula the bridge of a tramp freighter has been made into a house with running lights. I wonder if the steel still smells of salt.

The community of houseboats on Lake Washington is like a dream in bright colors. Photo attribution: Ambrosia apples on flickr

Perhaps there is a lingering, molecular memory of the time before we crawled out of the sea onto the shore, surrendered weightlessness and succumbed to unconscionable gravity. Perhaps the sound of water invokes that ancient memory. We have no adequate words; the memory precedes language. Even poets describe only its shadow.

Fish nor Fowl

A houseboat is neither one nor the other, neither house nor boat. A house isn’t meant to float; a boat isn’t meant to remain fixed to the shore. A houseboat doesn’t wholly belong to concrete earth or mutable water. Instead, it occupies the borderland, the crack between worlds where it is possible to dream without constraint. What more perfect shell for dreams is imaginable than waves lapping against the hull, fog rising from the water, a fire burning behind the grate and shadows polishing the walls?

Houseboats are populated by lawyers, doctors, dentists, tax accountants but are still considered bohemian by most of us. We look askance at the impracticality, the impermanence, the lack of real estate or resale value. Communities of houseboats occupy the periphery, the edge of respectability, like trailer parks. Marin County redefined them as landfill in order to remove them from Sausalito’s waterfront view.

Perspective of a houseboat sailor. Photo attribution: Bev and Steve on flickr

In The Poetics of Space Gaston Bachelard mentions a mollusk called the Grand Benitier (Great Baptismal Font) so large each bi-valve weighs 500 to 500 pounds. Wealthy Chinese mandarins made bathtubs from the shells. Such a bathtub would perfectly furnish a houseboat.

I’ve lived onboard boats and I suspect my dreams have been more compact, more seaworthy. A houseboat allows more room to dream. And what dreams might be imaginable immersed in a Mandarin’s bathtub floating on the water?

Houseboats reflected on Lake Washington. Photo attribution: Jonathan Hanlon on flickr.

Technorati Tags: Houseboats,Lake Washington,Poetics of Space,Gaston Bachelard,daydreams,Charles Thrasher

A Mythical Bridge

  Hood Canal Bridge. Photo attribution: timtim 011 on Flickr.com.

The Hood Canal is a narrow body of water extending about 50 miles from its entrance at Foulweather Bluff, past a hard turn to the northeast at The Great Bend, and another 15 miles to the shallow tideland at Lynch Cove. It has an average width of 1.5 miles, a mean depth of 177 feet, 212 miles of shoreline, a surface area of 148 square miles, and it’s spanned by a mythical bridge.

Certainly the Hood Canal Bridge has a concrete reality, not to mention construction. It’s supported by cement pontoons that float, mostly, above a depth of water between 80 and 340 feet, water subject to a tidal range as much as 18 feet. It spans the 7,869 feet between the Kitsap and Olympic Peninsulas. Together the two spans weigh almost 5,000 tons. You can find all that on Wikipedia. But the bridge floats upon a fjord, has foundered and been refloated, and even its current reconstruction has resurrected the dead.

A Historical Misnomer

 
Hood Canal Bridge from a distance. Photo attribution: keistersmom on flicker.com.

But first, a bit of background. The Hood Canal was named by Captain George Vancouver, one of the first cartographers to Puget Sound and therefore entitled to name things indiscriminately. Of course, those same things had been named by the people who already lived here but, frankly, they weren’t English. Vancouver named it after Samuel Hood, Lord of the Admiralty and one of Britain’s few competent commanders during the American Revolution. Actually, he named it twice—Hood Canal and Hood Channel. Both were wrong.

Outside of Puget Sound,
bridges rarely float.

A canal is an artificial waterway used either for navigation or transporting fresh water. A channel is typically a navigable passage between larger bodies of water. The Hood Canal was shaped by glaciation utterly without the help of humans. It doesn’t connect one body of water with another. It’s an inlet or, more exactly, a fjord. And a fjord, to restate the obvious, is a valley carved by ice and drowned by the sea. The fact that it’s called Hood Canal has led to some puzzlement in other parts of the world. In Puget Sound, we’ve gotten over it.

Bridges usually soar above an obstruction. Outside of Puget Sound, they rarely float. There is a floating bridge that across Dubai Creek (who knew they had creeks in Dubai?) but it’s temporary. And until 1992, a floating bridge spanned the Golden Horn in Istanbul. But the only other part of the world to make common use of floating bridges is Norway where they have even more fjords than Puget Sound.

Foundering

 The Hood Canal Bridge in a breeze. Photo attribution: Chimacum Joy on flickr.com

The Hood Canal Bridge hasn’t always floated. Eighteen years after it had been launched, it sank in a storm. Sustained winds of 85 mph scoured the Hood Canal. Gusts of 120 mph buffeted the bridge. Pontoons lost their anchorhold and drifted free. Hatches were blown open, pontoons filled with water and sank. The western half of the bridge to the drawspan foundered. It was three years before the damage was repaired. And it’s not the only time a local bridge has sank.

The lifespan of a bridge floating in salt water is longer than that of a Portuguese water dog but less than a Galapagos tortoise. Fewer than thirty years after its resurrection, the bridge builders began building its replacement. In those intervening years the population of Puget Sound has blossomed like pond scum and the industrial waterfront succumbed to gentrification. There was no place near Seattle to build the massive pontoons. Instead, Port Angeles was chosen.

Port Angeles was much further from the Hood Canal than Seattle but had the advantage of poverty. Since the timber industry and commercial fishing had shriveled, there was plenty of waterfront property available in Port Angeles and a desperate desire to utilize it. The people of Port Angeles saw the construction as their bridge to prosperity. But when the construction equipment began clearing away the industrial remnants of the timber industry from the shore of Ediz Hook, they began unearthing bones. Human bones. A lot of them.

Village of the Dead

It was Tse-whit-zen, the ancestral village of the Klallam people occupying the Lower Elwha River. The Klallam had lived on Ediz Hook for generations prior to first contact with Spanish explorers in the 1770s. Then they began to die from smallpox, influenza and measles. They had no immunity, no protection. Entire villages of First Peoples were decimated throughout the Pacific Northwest. In some places there was no one left alive to bury the dead. There may have been 3,200 Klallam before 1770; by 1880 there were 485.

 
The ruins of Tse-whit-zen. Photo attribution: nwpainter on flickr.com

At Tse-whit-zen, the dead were stacked like cordwood. They embraced one another, husband and wife, mother and child. Among the dead was a mother with an unborn child in her womb. There was no ceremony in their burial. They were hurried into the ground by the few who remained alive but those few may have taken revenge upon the shaman and medicine men who failed them. Skeletons were found beheaded, buried face down, their hands covering their face.

The Washington State Department of Transportation finally abandoned the site have disinterring 335 intact skeletons. The construction equipment fell silent, the workers left, and the dead reclaimed their land. The bridge was built in Tacoma.

A Mythical Bridge

The bridge spans more than the Hood fjord. It’s footed in time as well as space. It guards the western approach to a land that is itself mythical, a land form by the collision of the sea and the shore where mountains rise like stone waves, forests are entangled in cloud, and people hunt whales with clam shells.

Technorati Tags: Hood Canal Bridge,Olympic Peninsula,Tse-whit-zen,George Vancouver,Admiral Hood,Salish Sea,Charles Thrasher

A Eulogy Before Its Time

My dog is dying. Her hind legs have become unmanageable, unruly. She can no longer hold her water through the night. She pisses in places that offend her dignity. Her body has become more rebellious than her will to control it. Her life is accelerating relentlessly toward its ending.

To watch her suffer would be painful but to hasten her end, unbearable.

Our lives have been entangled for 16 years. Since we waited for her arrival in summer, in South Florida, in the heat and humidity, waited day after day until the temperature fell to a range safe for her to fly. Since she was a compact bundle of black hair and sharp white teeth streaking around the foredeck and occasionally falling off, falling into the foul water sluggishly ebbing and flooding through the canals of a sailors’ ghetto. Since she chewed my freshly varnished bright work and I chased her around the deck, threatening to pitch her overboard intentionally this time, stubbing my toe on a cleat, adding injury to insult. Our lives have been entangled for a lifetime, her lifetime, a lifetime almost run.

Together we have seen life threatening disease, injury and loss. As well, joy and comfort. Her passing will be a deep wound but I beg a non-existent God that it will be swift, and soon. To watch her suffer would be painful, like drawing a shard of broken glass across my skin, but to hasten her death would be unbearable.

My mind is a simple thing and easily fooled. It can’t tell the difference between something thought and something lived. My dog is still alive but thinking about her death is like living it. The sorrow, the sense of loss, the tears are the same.

Portuguese water dogs have a unique, escalating bark. The third stage is like an ice pick driven through your ear drum.

She’s a Portuguese water dog, a breed we thought appropriate to live onboard a boat although she doesn’t deign to wet her head. Perhaps it was the number of times she fell overboard or the times I threw her overboard, hoping to cool her in the summer heat. South Florida in summer isn’t the place for a black, waterproof dog.

We lived onboard a boat in summer in South Florida, a boat with only one air conditioning unit, a swamp cooler squatting on the hatch over a cabin amidships—two berths stacked like cord wood—with Mizzen in a crate on the cabin sole. I had to sleep in the lower bunk with my hand resting on her crate to keep her quiet, to reassure her I was close throughout the night, or she’d bark. Her bark was like an ice pick driven through your ear drum.

We lived onboard a ketch and named her after a mast because it had fewer syllables than spinnaker and seemed less pretentious than top’sl. The meaning of the word is no longer commonly known, rather like the word grok. We might have named her Grok which has only one syllable but it suffered the same liabilities as top’sl and sounded too much like grout.

Water dogs have a unique, escalating bark. The first stage is deep and threatening, the second alarmed or excited, and the third is an ice pick that will shortly leave you deaf or insane. Water dogs can bark all day without remitting. The kennel attendants as Disney World can confirm. When we came to claim Mizzen at the end of the day, they seemed shell shocked and stuporous and suffering from survivor’s guilt.

I think she enjoyed watching him gasp like a fish on a dock. Retribution!

The deep, defensive bark she mostly reserved for mail carriers. For a time we lived in a house with a plate glass window beside a front door with a mail slot. Mizzen was left home weekdays to guard the house. Each day she watched the mail carrier approaching from a distance and then rattle the metal mail slot, trying to get it. We often found teeth marks on the first class mail scattered around the front room. There was bad blood between her and the Post Office.

I was once home on a weekday with Mizzen off leash in the front yard when the mail carrier’s rounds intersected with fate. Mizzen saw her first, across the street and down the block—her ancient enemy. She charged with unmistakable intent. I’m not sure she would have done harm, she’s never bitten anyone except in play, but the mail carrier was forearmed with pepper spray. I spent the next 30 minutes rinsing it from her eyes.

She made no distinction between FedEx and the USPO. I took her to work with me at Hall of Fame Marina. She slept curled at my feet when I worked at my desk, unconcerned with the public coming and going, except for FedEx deliveries. Then she materialized from behind the desk and delivered a single, deep, menacing bark that would retract the delivery man’s testicles like a snapped shade. She never approached him, never bared her teeth, and it was never more than a single bark. I think she actually enjoyed watching the FedEx guy gasp like a fish on a dock. Retribution!

She will not survive life.
No one does.

She has survived to the old age of 16 despite the odds. She’s survived a dreadful disease transmitted by the Lone Star Tick, vehicular hit and run, breast cancer and toe cancer and liver disease. She used to be terrified by the sound of smoke alarms but now she’s nearly deaf. And, of course, her hind legs have rebelled against central control. They slide from beneath her when standing on tile or hardwood until her belly meets the floor.

She will not survive life. No one does. I understand that intellectually but it doesn’t reach my heart. I’ll miss her most at 4:00 am when I wake and she’s not lying on the floor at my side of the bed.

Late Snow

This morning snow fell on Puget Sound, a late winter storm in February. Mottled storm clouds raced low across the horizon. In the sulfurous light each limb of each barren tree was outlined with delicate precision as if the world were redrawn with a finer point, a sharper lead, and care taken to remove the smudges.

Now another squall eclipses the horizon and the evergreens bend beneath its weight. The few pedestrians trudge about their business with heads withdrawn into their shells. Their footprints evaporate like their clouded breath.

Hope remains in a world that can remake itself overnight.

The Sight of God

Henry Miller wrote of the Big Sur coast south of San Francisco:

If the soul were to choose an arena in which to stage its agonies, this would be the place for it. One feels exposed—not only to the elements, but to the sight of God. Naked, vulnerable, set against an overwhelming backdrop of might and majesty, one's problems become magnified because of the proscenium on which the conflict is staged.

The Sur coast is a landscape of immensity. The western horizon encompasses a vast expanse of empty ocean where humanity leaves no track, no sign of our passage, no imprint upon nature’s harsh indifference. The eastern horizon is bound by steep waves of stone—the coast range hills—mountains cleft by ravines where the sound of rock slides rumble and cliffs fall sheer to the sea. It is a landscape naked and exposed to the sight of God.

  Big Sur coast at sunset. Photo attribution: Rick Pawl, flickr.com.

Where the nature of the Sur coast is immensity, the northern coast of Washington is one of intimacy. Clouds descend to the earth, fog rises to the sky, dampness drips from leaves like rain, and the horizon encloses you like a polished shell. It is an equally dramatic coast but a different drama. To paraphrase Henry Miller, “If the soul were to choose an arena in which to dream, this would be the place.

We have no mythology of place,
no stories to explain our experience on the land.

The thing is, we have no mythology to explain either landscape. Unlike the aboriginal peoples who lived here first, we have no mythology of place, no stories to interpret our experience of the land. We have no technology of the psyche other than psychology which, like the rest of our technology, seems external, manipulative, coercive and utterly inadequate to explain our place in the world.

I think we have been driven mad by our lack of a compelling mythology. How else explain our unchecked rampage toward extinction? We have turned on the earth as if it were an enemy and made war against our gods.

Perhaps the medieval alchemists were right: As above, so below. Perhaps the vast reaches of the landscape reflect the vast space within ourselves, as if galaxies spin like Catherine wheels in the space between our cells.

We’ve lost our place in the world. We’ve come adrift and feel ourselves forsaken.

Maybe there’s a modern myth that appeals more to the vocabulary of our time—the holographic universe. Any piece of a hologram contains a complete image of the whole. Each shard of a shattered hologram contains all of the information of the original, a complete replica. We mirror the universe in ourselves.  As above, so below.

  Washington coast in fog. Photo attribution: Jody Miller, flickr.com

But we’ve lost our place in the world. We’ve come adrift and feel ourselves forsaken. In our anger we thought to slay the gods, the high gods and the local gods of place. Instead we  turned sharp blades upon ourselves.

Tragedy looms for our species
…if we can’t regain our balance,
…if we can’t find again that sense of mystery that makes the world holy, 
…if we can’t believe that the universe resides within ourselves,
…if we can’t acknowledge the sanctity of earth and sky, sea and shore.

If we are not here, the sun will still set on that nameless southern coast and polish the ocean like brass and the clouds will still entangle the coastal forests of the north like a landscape of dream. Over time, the earth will regain its balance. Nature will spin off new complexities like sparks from a Catherine wheel. But what we might have become will be lost and also lost what we might have contributed to the whole if our sense of responsibility had kept pace with our power and we had not descended into madness.

Technorati Tags: Henry Miller,Big Sur,Washington coast,mythology,madness,Charles Thrasher

The Rabbit Hole

Another chain letter is weaving a Conga line among Facebook subscribers, this time drawing significance from an MP3 player set to randomly shuffle songs. The arbitrary songs are matched to a sequence of life events like a soundtrack of your life proceeding from opening credits to funeral song. The curious thing is the seeming significance in the random paring. In my case, the significance becomes more pronounced as I approach the end of my movie. For example, the birth of a child was haphazardly paired with Muddy Waters’ “Mannish Boy.” And others…

Final battle: “Spirits in the Material World,” by The Police.
Death Scene: “Crawlin’ King Snake,” by John Lee Hooker.
Funeral song: “Is there Anybody Out There,” by Pink Floyd.

 

Jung called it synchronicity. Giving it a name and describing it as “acausal but meaningful significance” may be reassuring doesn’t really explain the absurdity. For that you need to travel down the rabbit hole into the holographic universe. The defining characteristic of a hologram is that every piece contains all the information of the whole. If the whole were a portrait of Abraham Lincoln, then any part broken off would also contain the complete portrait of Abraham Lincoln. It’s hard to get your head around but that’s quantum mechanics for you.

If the universe is really holographic then every part contains the whole and every moment mirrors infinity. In such a world meaning can bridge the universe, time is like a snow globe, and coincidence is just a slightly different angle of view. In that world steaming entrails can once again auger the future and the crows can become portents.

…This I mean my mind to serve
'Til service is but magic, moving through the world
And mind itself is magic, coursing through the flesh
And flesh itself is magic, dancing on a clock,
And Time itself, the magic length of God!
God is Alive, Magic Is Afoot
Leonard Cohen

25 things…

There is a craze currently consuming Facebook’s bandwidth called 25 random things about me. The idea is simple. You expose 25 bits of your life history without reference to importance or priority, 25 things that reveal who you are, what you’ve done, how you feel. You then post your list to 25 people you want to know better. Given the popularity of the exercise, I believe Facebook has now limited tagging to 10 people in a single note so really it’s 25 things to 10 people.

Anyway, as an exercise in giddy candor and with complete disregard for my dignity or future employment, I give you my 25 things.

1. An albatross once landed on my head. We were both half asleep at the time. Apparently I was the most likely looking roost within hundreds of miles of ocean. When the albatross realized its mistake, my ears were softly boxed by its 6 foot wingspan as it struggled to gain altitude. It was like being enfolded in the wings of an angle. Fortunately it didn’t poop on my head.

2. When I walk any distance I close my fingers over my thumb, forming a fist. It’s something I learned from Carlos Castaneda and he learned from his mentor, a Yaqui sorcerer named Juan Matus. It actually makes my stride feel more energetic but looks a little weird.

3. In my life I’ve broken arms, legs, wrists, ankles, ribs, fingers, nose, and furrowed my skull—the result of a consuming curiosity or a reckless disregard for reality. I still don’t know which.

4. I believe that, if there is a God, it doesn’t have a human shape, it doesn’t intervene in the lives of men, and it’s driven by one thing only—an insatiable curiosity. The function of God is to endlessly ask “What more?” and remember the answer.

5. When I was a child I was terrified by the film Darby O’Gill and the Little People. For days afterward the screams of the banshee haunted my dreams. Snow White was pretty scary, too. (You don’t think a witch living in a castle of thorns is scary?)

6. During the McGovern presidential campaign, now ancient political history, I registered with the Socialist Labor Party, just short of becoming a communist. After McGovern lost dismally, I no longer registered at all. I was no better at being a socialist than I was at being a democrat.

7. I have an FBI record, first because I was a clerk in a nuclear artillery battalion, secondly because I was discharged from the US Army as a conscientious objector, and finally because I was registered with the Socialist Labor Party. I’ve been something of a disappointment to the FBI.

8. In high school I dated the daughter of an FBI official, the man in charge of the hunt for Angela Davis. (Look her up in Wikipedia. Both John Lennon and the Rolling Stones wrote songs about her.) We never got along well, the father and me, especially when I refused to shave my beard. America, you gotta love it, or leave it.

9. I drove the water truck that filled the quicksand hole on a film with the working title of Black Bart. I had lunch at Slim Picken’s table. Mel Brooks yelled at me through his bull horn to get the damned truck out of the shot. The damned truck didn’t have baffles in the tank. The first hill I hit the water sloshed aft and the front wheels came off the ground. I could spin the steering wheel freely at 35 mph. The film was later renamed Blazing Saddles.

10. I was recruited into the Flag Land Bureau, the governing organization of Scientology, by Suzette Hubbard, the daughter of L. Ron Hubbard. She was a fetching red head. I didn’t last much longer as a Scientologist than a socialist and quietly slipped away in the dead of night. They may still be looking for me. I owe them money.

11. I have never killed a deer in my life but I once rode shotgun with a poacher driving a hefty four-wheel drive madly through the woods at night. My job was to hold the spotlight and keep a lookout for the cops. I could probably fill a list of 25 things with a “wild ride” theme.

12. At one point I owned both a ’49 Chevy Coupe de Luxe and a ’54 Ford pickup with a flathead six and 3-speed overdrive. Neither was restored; both had original equipment. Surprisingly, I wasn’t a collector. I used them for everyday transportation. The Ford didn’t go up hills well and the Chevy’s front wheels tended to ratchet side to side when I hit a pothole. Both were painted an alarming yellow.

13. I went to boot camp in San Diego when I was 14. I lied about my age to join the Sea Cadets. Actually, my father lied about my age. He thought a paramilitary organization would make a man of me. The Sea Cadets were a lot like the Navy but for adolescents. They taught me how to make a life preserver out of my pants, how to smoke unfiltered cigarettes, shirk duty, and swear like a sailor—all served me well in later life.

14. Earthquakes follow me. I survived the San Fernando Earthquake (Los Angles) in 1971, the Loma Prieta Earthquake (San Francisco) in 1989, and the Nisqually Earthquake (Seattle) in 2001. Where I walk the ground trembles.

15. I still haven’t written a novel.

16. I spent a summer living in a camp trailer in the Mohave Desert. There was no air conditioning. When the sun came up like thunder I had 10 minutes to wake up and get out before my blood began to boil and trickle from my ears.

17. I once attended the Renaissance Faire in Los Angeles dressed as a monk in the company of a pregnant nun and a bishop with staff and miter. We carried a goatskin full of wine. By the end of the day we were utterly in character and barely comprehensible.

18. I’ve never met the most influential people in my life. They were writers. All of them are now dead.

19. I believe we must all play the cards we’re dealt by life but some hands are better than others. It’s not the obvious things that determine the strength of your hand, not wealth and privilege, but the things that go unseen, the things that happen to children behind closed doors.

20. I suspect that humanity doesn’t have much time left. What survives will be hardly recognizable to us now but it may be a wiser, more respectful, less arrogant species. Or not.

21. I once lived briefly surrounded by a flock of sheep that were guarded by Basque shepherds and their fierce dogs. At night the coyotes gleaned the flock and barked on my doorstep.

22. I’ve learned you can survive any circumstance except the one you don’t and that one doesn’t much matter. I’ve lived a lot of places, some without money, friends, home, work or prospects and each time I’ve rebuilt my life, one step at a time. That’s a lesson I think a lot of people are going to learn soon.

23. The Doors and the Jefferson Airplane played gigs in my high school gym. Terry Gilliam is our most illustrious alumni.

24. I remember watching the original episodes of Saturday Night Live in a 100 year old house in Marysville, California. The house was built on stilts to accommodate the Yuba River historically flooding the town. You could ride a skate board from one side of the living room to the other without pushing. I was especially fond of John Belushi’s Samurai.

25. I once worked backstage on a college production of The Hobbit. The costumer—a big woman with a mischievous sense of humor and a history of prostitution—sewed a stuffed penis and a pair of balls onto my sleeping bag. She was a clever seamstress. The penis had veins and the balls sprouted hair. She hoped I would invite some woman camping and when I rolled out my bag, the penis would rise like a flag. The cost of thread, stuffing and cloth—a few cents. The look on my face—priceless.